We're thrilled to be back in Los Angeles for another exciting & action-packed Siggraph week! This year, not only we'll be showcasing the all-new Clarisse 3.5, but we'll also host great talks with special guests from top VFX studios. And that's not all! You'll get the chance to see all the cool new features and improvements we've made to Clarisse 3.5 plus an exclusive first look at what's big to come!

Get your free pass and join us at Siggraph 2017, booth #517

Simply use our promo code CLARISSE when registering to get your free pass

What's new in Clarisse 3.5?

From user interface, geometry, scattering, look dev, lighting and rendering to scene assembly, get an overview of all the new exciting features introduced in Clarisse 3.5! 

Case Study: layout, volumes, explosions and crowd

In this case study, we are going to see how we can set dress a complex city. We will be using scatterers, combiners, per instance collision detection to create realistic distribution of buildings. We will then add volumes and explosions and finish by adding crowds in the scene using latest Clarisse 3.5 per-instance time offset feature.

Clarisse 3.5 for high-end VFX compositing

Clarisse 3.5 offers a complete arsenal of tools to make any comp artists happy! Thanks to new Light Path Expressions, final lighting and shading can easily be tweaked at comp. Custom AOVs can be created without efforts. Using the new Cryptomatte output, perfect masks can be generated on the fly even on renders with motion blur and depth of field on!

Clarisse 3.5 for photorealistic lookdev, lighting and rendering

Clarisse 3.5 brings its share of artist-friendly new features and improvements in look development, lighting and rendering. Thanks to the new physical standard material, new light controls and new texture operators such as triplanar projection, you spend less time to reach photorealism without compromise on artistic and creative controls.

Clarisse 3.5 for set dressing and life-like environment creation

Clarisse 3.5 introduces a new revolutionary workflow allowing you to interactively paint, set dress and edit individual instances on massive environments made of billions of polygons! Clarisse’s 3.5 scatterer has also been greatly improved thanks to the new per-instance collision detection, time offset attribute and probability based weight distribution.

Isotropix theater booth program

Consult our complete schedule!  

Great wall & Beyond: How Clarisse was implemented through out Base-FX VFX pipeline

Discover how Clarisse has been implemented into Base FX pipeline on productions such as Star Trek Beyond and The Great Wall.

THE YOUNG POPE: THE INVISIBLE ART OF VFX

Mark Pascoe, DnegTV's CG Supervisor takes us on a journey of how the iconic shots in The Young Pope were brought to life with seamless VFX using Clarisse. Mark explores the technical set- up of the opening shot in the series to populating the Vatican with almost 100,000 extras.

Building shots for high-end TV shows with Clarisse from a small studio perspective.

Analysis of solution for final shots. Integrating Clarisse into an existing pipeline, and learning on-the-fly for The Librarians, American Gods, and The Strain. The presentation shows Clarisse, photogrammetry, and compositing software working together to build shots in a small studio.

0-60, starting a studio with Clarisse

A quick discussion on using Clarisse as the sole renderer for a company using it for dynamics, sets, vehicles, and creature work.

Unleashing Volumes with Clarisse

Double Negative’s Render Supervisor, Marieke Franzen will showcase renders executed with the new physical correct volume shader used in the making of some of the biggest recent Hollywood releases.

Kong: Skull Island

Join us for a look at how ILM utilized Clarisse to bring the world of Skull Island to life.

ISOTROPIX THEATER BOOTH PROGRAM

Consult our complete schedule!